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The AF101 has a bon de réduction hollywood chewing gum micro 4/3rd image sensor, while the Sony has a Super 35mm sensor that is approximately 30 bigger than Panasonic's 4/3rd sensor.
I then filmed my trusty chroma du monde resolution and colour charts to see how the camera performed in a scientific environment, before going out and getting down to some serious filming in Cambridgeshire.
However, recording in slow or quick motion simultaneously to card and the flash drive is not possible.The modular design of the FS100 allows it to be stripped down into a relatively small box.Everything about this camcorder feels wrong to me; except the sensor and the quality of images it produces.The minute size of some of the other buttons defies belief they are so small.The ergonomics are frustrating, the fixtures and fittings are poor quality, the switches, dials and knobs are all way too small and they feel plasticky with a vague feel.e.I can't imagine too many people wanting to take the FS100 to pieces though.So with the FS100 you oral concours atsem 2018 will have nice shallow depth-of-field, but you wont be able to correct it with shutter speeds as this is simply a big no-no.This is a big negative considering that this camera is supposed to be all about depth-of-field control.Your display must be 1080/50P compatible also; Sonys consumer Bravia range will fit the bill perfectly.This hdmi output also allows embedded timecode.
It was only when I got out in the car and drove to a few locations and actually put the FS100 on a tripod and started shooting that I could start to gauge how the camera handles; here Im talking about the form-factor and ergonomics.
Of course you can reverse the mic holder and have the mic on the other side of the camcorder, but then the mic cable will have to take a bus ride around the left side and back of the camcorder, making a quick stop off.




Test shots Here are three grabs taken off the timeline in Final Cut Pro.I got the impression that if I dropped the FS100, I would be left with several bits of shattered plastic parts.Technically speaking the 4/3rds is not a motion picture image format, but a still image format; Panasonic get around this by cropping ever so slightly the top/bottom of the sensor.Compatible Sony MS cards are: Memory Stick PRO Duo (Mark2 Memory Stick PRO-HG Duo and Memory Stick PRO-HG Duo.The Panasonic AF101 is the clear winner by a country mile in my opinion and it would be my choice for any kind of work that required a large sensor and the ability to have a lot of control over depth-of-field.The fixtures and fittings of the AF101 are right up to standard at this price range; the Sonys are not.I also found the side grip to be very poor from an ergonomics standpoint.Recording media, the FS100 records to either Memory Stick or SD/HC (class 4 or higher) and SD/XC cards, or Sonys HXR-FMU128 flash memory recorder (optional).The weight of the FS100.04 kg body only,.66 kg with F770 battery, kit lens, eye finder and grip.
If you have the FS100 low to the ground you cant tilt the viewfinder up as much as you would need to as the mic/handle restricts its movement.
The angle is all wrong.



The first thing to note about the FS100 is that there is no HD/SDI output, but fear not, there is a hdmi output that can output 4:2:2 colour 8-bit to an external recording device.
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